้ฆ–้กต/西方伦理/未知\๐Ÿคญ๐Ÿ˜๐Ÿ˜›方程式
未知\๐Ÿคญ๐Ÿ˜๐Ÿ˜›方程式

未知\๐Ÿคญ๐Ÿ˜๐Ÿ˜›方程式

๐Ÿ‘697ๆ’ญๆ”พ
โญ6.0่ฏ„ๅˆ†
๐Ÿ‘498็‚น่ตž
ๅนดไปฝ1980
ๅœฐๅŒบ法国
่ฏญ่จ€法语
็Šถๆ€HD中字

ๅ‰งๆƒ…็ฎ€ไป‹

This๐Ÿ˜‘๐Ÿ˜˜= long-lost masterpi๐Ÿ˜ด๐Ÿ˜—ece%๐Ÿ˜๐Ÿ˜„&๐Ÿ˜† ๐Ÿค•+๐Ÿค‘of hardcor^๐Ÿ˜Œe ๐Ÿคญga!y erotic cine_ ma cent:`ers ๐Ÿ˜ƒ๐Ÿฅฐon a hand๐Ÿ˜‰-๐Ÿคจ๐Ÿ˜som๐Ÿคช-๐Ÿ˜„e "๐Ÿ˜ท๐Ÿ˜ทyoung ๐Ÿ™„๐Ÿ˜‹๐Ÿ˜st (ud who rides๐Ÿคค*๐Ÿ˜ด๐Ÿค‘๐Ÿ˜‚ h๐Ÿ˜ทis motor๐Ÿ˜†^๐Ÿ˜cy๐Ÿ˜ƒ๐Ÿค—cle through myriad sex๐Ÿ˜ด๐Ÿคฃ\ua๐Ÿ˜€๐Ÿ˜‹๐Ÿ˜๐Ÿ˜l #๐Ÿคขencounters๐Ÿ˜„ ๐Ÿ˜‹?, fr๐Ÿ˜†o&m a๐Ÿค‘๐Ÿ˜”_๐Ÿ˜› soccer ga๐Ÿ˜›๐Ÿ˜ถ๐Ÿคญ^๐Ÿ˜Šme๐Ÿ˜ฌ๐Ÿ˜…โ€™s locker room๐Ÿคข to๐Ÿ˜†๐Ÿค— a ph๐Ÿฅฐ๐Ÿคฃantasmagor.^๐Ÿค—ic and\๐Ÿ˜ช๐Ÿ˜ deeply๐Ÿ˜‡ melancholy or๐Ÿ˜ด๐Ÿ˜ƒ๐Ÿค‘gy. A labyrinth of๐Ÿ˜‘๐Ÿ˜ all-male fantasies ๐Ÿ˜ƒ๐Ÿ˜ฌ๐Ÿ˜˜whos๐Ÿคคe o[๐Ÿค’u#@"t(๐Ÿคฅ ๐Ÿคจst๐Ÿ˜€!and,๐Ÿ˜‚๐Ÿ˜Šing beauties always e๐Ÿ˜‘ ๐Ÿ˜ชnd up fading @๐Ÿ˜.๐Ÿคซaway whi๐Ÿ˜ƒ๐Ÿ˜„๐Ÿค”!๐Ÿคคle leaving their se๐Ÿคฃ๐Ÿค๐Ÿ˜Š๐Ÿ˜†nsual pro๐Ÿ˜›.๐Ÿ˜‰t;(a๐Ÿ˜›gonist<;*% deali๐Ÿค๐Ÿ˜Š+ng wit๐Ÿ˜„'=๐Ÿคชh๐Ÿ˜๐Ÿ˜›: )?,hi]s own ๐Ÿ˜„ loneli๐Ÿคญ๐Ÿ™„ness, \EQUATIO๐ŸคจN wa๐Ÿคข.๐Ÿ˜ฌ๐Ÿ˜ดs di๐Ÿ˜”&rected with๐Ÿ˜, su>preme grace by the myster๐Ÿ˜˜๐Ÿ˜š $i๐Ÿ˜”๐Ÿ˜˜๐Ÿ˜ฌ๐Ÿ˜ฌou&s D๐Ÿ™‚ ๐Ÿคจietric๐Ÿ˜ถ๐Ÿ˜›";(h ๐Ÿ˜ƒ*๐Ÿ˜šd๐Ÿ˜š๐Ÿคญe Ve๐Ÿค”๐Ÿ˜‘lsa.๐Ÿ˜€๐Ÿคญ (๐Ÿ™ƒ(๐Ÿ˜™aka  =Francis Savel/F๐Ÿคฅ/ran!(tz ๐Ÿ˜„๐Ÿ˜Sali๐Ÿ™„๐Ÿค’e๐Ÿ˜€๐Ÿ˜ช๐Ÿค•๐Ÿ™‚๐Ÿ˜”ri). A๐Ÿ˜ท_ ๐Ÿคค^former pa๐Ÿค—๐Ÿ˜›๐Ÿ™‚๐Ÿคฅ๐Ÿ˜™inter, d๐Ÿ˜Œ๐Ÿ™ƒe Velsa was also the owner and ar๐Ÿคซ ๐Ÿ˜™)tisti๐Ÿ˜™c dir๐Ÿ˜‹๐Ÿคฃ๐Ÿ˜†๐Ÿ˜e.๐Ÿ˜‘๐Ÿคจ)๐Ÿ˜Œctor of L๐Ÿ˜Œa Grande E๐Ÿ˜๐Ÿ˜›๐Ÿค๐Ÿคญugรจn<#e๐Ÿ˜™,) on๐Ÿคฃ๐Ÿ˜›๐Ÿฅฐe o,๐Ÿ˜ดf the/* first drag cabarets>๐Ÿคข๐Ÿ˜› ๐Ÿ˜™๐Ÿ˜€+๐Ÿค‘>in >( =Paris. Years later, he colla๐Ÿ˜œ๐Ÿ˜ด'๐Ÿคขborated with Jos๐Ÿค—๐Ÿ˜….ep๐Ÿ˜„๐Ÿ˜ถ๐Ÿฅฐ/h ๐Ÿคฃ๐Ÿ˜‡Lose๐Ÿ˜๐Ÿ˜‚y on MR. KLEIN (๐Ÿ˜™@=1976) ๐Ÿ˜ถ๐Ÿคฎ๐Ÿ˜ƒand DON ๐Ÿ˜๐Ÿค”๐Ÿ˜—๐Ÿ˜…G๐Ÿ˜”.IO VANN๐Ÿคฉ๐ŸคI ๐Ÿคข-(1979). His one an๐Ÿ˜” -๐Ÿ˜’-d only film, EQUAT@๐Ÿ˜ION TO๐Ÿ˜ƒ๐Ÿคซ @;A-_N๐Ÿ˜˜ UNKNOWN stands a๐Ÿ˜%*s ๐Ÿ˜'!๐Ÿค’on]'๐Ÿ˜›(e of the most ext[๐Ÿคฃ๐Ÿ˜‘๐Ÿคฅraordina๐Ÿ™‚%๐Ÿ™‚ry ๐Ÿ˜‚๐Ÿคฉ๐Ÿคขerotic fil๐Ÿ˜๐Ÿ˜ดms of all ,'๐Ÿ˜-time๐Ÿ˜.๐Ÿ˜ช๐Ÿ˜‚= &nbsp; ๐Ÿคค๐Ÿค•&๐Ÿ˜๐Ÿคชnb ๐Ÿ™ƒsp; ๐Ÿ˜Œ'๐Ÿคฃ&nbsp; &nb๐Ÿ˜”๐Ÿ˜€๐Ÿคขsp; &n๐Ÿค—+bsp;๐Ÿ˜›๐Ÿ˜ &nbsp๐Ÿ˜™๐Ÿ˜๐Ÿ˜š; &nbsp; &nbsp๐Ÿ˜‰๐Ÿคญ+๐Ÿ˜ฌ; &nbsp; & ๐Ÿ˜‘nbsp; &nb(๐Ÿ˜ท*sp; &n๐Ÿ˜ด+`bsp๐Ÿคจ๐Ÿค‘<๐Ÿ˜]; ?/&nbs๐Ÿค‘๐Ÿค’p; &๐Ÿ˜—^๐Ÿ˜™nbsp; ๐Ÿ˜,&nbsp๐Ÿ˜Š๐Ÿคข๐Ÿฅฐ๐Ÿ˜‡; ^๐Ÿ˜…,&nbsp;๐Ÿ˜š๐Ÿ˜‘๐Ÿคญ ๐Ÿคฅ๐Ÿคฃ๐Ÿ˜๐Ÿ˜™&nbsp๐Ÿ˜ƒ;๐Ÿ˜‚$; &nbs'*p;
๐Ÿ˜‘๐Ÿ˜€ &nbsp; &๐Ÿ˜—๐Ÿฅฐ nbsp; &nb๐Ÿ˜€๐Ÿ˜sp๐Ÿคฉ>๐Ÿ˜‹; &nbsp; &nbsp;๐Ÿ˜‚%๐Ÿ˜‚ &n๐Ÿ˜Œ๐Ÿค”bsp; &nbsp๐Ÿฅฐ.;^๐Ÿค”๐Ÿ˜™๐Ÿค &๐Ÿ˜‘๐Ÿ˜ฌn(๐Ÿคค๐Ÿ˜ทb,๐Ÿ˜’sp; ๐Ÿ˜‰๐Ÿ˜’๐Ÿ˜†&nbsp;[๐Ÿค‘ &๐Ÿ˜ถ n%๐Ÿ˜…?bsp; [๐Ÿ˜‘๐Ÿ˜›&nb`๐Ÿค๐Ÿคฃ^s@'p;๐Ÿ˜€๐Ÿฅฐ*๐Ÿค’ &nbsp; &nbsp; &nbsp; &nb๐Ÿ˜—๐Ÿ˜†$/sp; &nbsp;โ€œThe most melancholic po๐Ÿ˜๐Ÿค•๐Ÿค”rn film Iโ€™ve ever se๐Ÿคซ๐Ÿคจ๐Ÿ˜‚en. Itโ€™s๐Ÿ˜$๐Ÿ™„ very sad, a>n.๐Ÿ˜ท๐Ÿ˜‰d๐Ÿ˜„-๐Ÿ™ƒ aesthetica๐Ÿ˜‘lly bea๐Ÿ™‚๐Ÿ˜ƒ<๐Ÿ˜†utifu,๐Ÿ˜ฌ#l. Just-๐Ÿค” a y๐Ÿ˜Œ๐Ÿคคou๐Ÿคซn*g ,๐Ÿ˜ถman wan๐Ÿคค</dering๐Ÿ˜…= through seve๐Ÿ˜„๐Ÿค”ral d๐Ÿ˜”#ep๐Ÿ˜’๐Ÿคฎictions of love an=๐Ÿคข๐Ÿ˜‘๐Ÿ˜d๐Ÿ˜œ',) choreographies๐Ÿ™‚๐Ÿ˜” of love-mak๐Ÿค’๐Ÿ˜ƒ^๐Ÿ˜†๐Ÿ˜ถing; itโ€™s like <๐Ÿคข๐Ÿ˜—a ceremon๐Ÿค—#@y, a๐Ÿคฃ ceremony of fantasie\s, especially the last sequence where t*๐Ÿคข๐Ÿ˜‘he #`main character recalls all h๐Ÿ˜‘๐Ÿ˜”is pr=๐Ÿ˜š<๐Ÿ˜œe๐Ÿ˜‚๐Ÿคซ๐Ÿ˜ทvious'๐Ÿคช fantasies,๐Ÿ˜Œ which "๐Ÿ˜๐Ÿคชcom๐Ÿค—๐Ÿ˜Œ#)e o๐Ÿคญ๐Ÿคค๐Ÿ˜› ne by o<๐Ÿ˜ne around his ๐Ÿคญ๐Ÿคคbe_๐Ÿ™‚d a!+๐Ÿ˜”๐Ÿ˜‡nd mak๐Ÿ˜Œ&e love ๐Ÿ˜‰๐Ÿคฉto h๐Ÿ™„&`im. I ==t^๐Ÿ˜‹๐Ÿ˜”hink itโ€™s one of`๐Ÿ˜„ the mo๐Ÿ˜…[s๐Ÿ˜…๐Ÿ˜†๐Ÿ˜‰t ๐Ÿ˜๐Ÿค•`beaut๐Ÿ™‚๐Ÿ˜—iful film se๐Ÿ˜’que๐Ÿ˜„"nces of๐Ÿค”๐Ÿคฎ๐Ÿค— ^๐Ÿ˜๐Ÿ˜™๐Ÿ˜‘French ๐Ÿ˜‹ cinema.โ€ โ€“Ya'nn Gonzalez

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